From Crudup to Joaquin to Tyler to Going to ...
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Description
Forbidden love and impossible dreams intertwine when the handsome working-class Holt brothers are drawn to the beautiful and wealthy Abbott sisters. Sparks fly, passion flare, and family loyalties are suddenly torn and tested against a small town backdrop of social boundaries and dark secrets. Starring Liv Tyler and an all-star cast including Joaquin Phoenix, Billy Crudup and Jennifer Connelly, "Inventing the Abbotts" re-invents the trials and triumphs of coming of age in a time of innocence that was anything but.Amazon.com
A showcase for bright young stars, Inventing the Abbotts aspires to be the kind of 1950s melodrama--like Splendor in the Grass--that was perfected by directors like Elia Kazan and Douglas Sirk. Calling on the strength of his earlier Circle of Friends, Irish director Pat O'Connor brings many of that film's admirable qualities to this similar ensemble piece (set in late-'50s Illinois), but it's held together by looser and weaker threads. And yet this tale of class division and forbidden love is sensitively written and beautifully filmed, highlighted by two young lovers at the center of an interfamilial conflict."Alice is the good daughter, Eleanor's the bad one, and I'm the one that just sorta gets off the hook." That's how rich girl Pam Abbott (Liv Tyler) describes herself and her older siblings (Joanna Going and Jennifer Connelly, respectively), whose father made his fortune in manufacturing. Working-class neighbor Jacey Holt (Billy Crudup) has "invented" Mr. Abbott as a villain whose wealth came at the Holts' expense and destroyed the reputation of Jacey's widowed mom (Kathy Baker in a fine but underwritten role). Jacey retaliates by callously bedding each Abbott sister in sequence, but his destructive behavior is countered by younger brother Doug (Joaquin Phoenix), whose love for Pam is sweetly genuine. Memorable scenes abound, and the film's period design is impeccable, but sluggish pacing and filigrees of plot make Inventing the Abbotts a faint echo of its '50s predecessors. The fine cast makes it worthwhile, however, and Michael Keaton's (uncredited) narration adds another layer of retrospective charm. --Jeff Shannon
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Customer reviews
A rare acting school for young actors 
by .. J. P. Ferraz (HOUSTON, TX USA)
Few movies I've seen provide, 7 years after its making, a retrospective of great actors and actresses in the make. Just watch the movie and then fish for recent works with each of those young talents.
From Crudup to Joaquin to Tyler to Going to Jenniffer Connelly - what we see in Inventing the Abbotts is an amazing set of performers reaching to stardoom. I believe the film should be classified as mandatory in acting schools.
For the rest, I believe this script is as close to reality as it can get. A small town, a wealthy family, a classic rich/poor idiosyncratic drama, false assumptions which could ruin lives, hard working single parents, young daughters struggling with the coming of age, ... all quite well integrated into a movie which is delightful to see and to call your attention for preemptive judgement.
Joanna Going, Liv Tyler and Jenniffer Connelly are absolutely remarkable and beautiful. Yet the prize goes to Joaquin, for his amazing performance.
A rare love story with plot twists by .. David A. Bede (Singapore)
Based on a rather depressing short story, this is the only movie I've seen which I can honestly say is better than the book it's based on. It still surprises me that the critics weren't more impressed with it than they were.
Although Inventing the Abbotts is centered on two well-treaded themes - love across a class divide and bad blood between families - it takes enough of a new approach to avoid cliches. For one thing, the animosity between the rich Abbotts and the working-class Holts is selective, with varying degrees of friendship and respect between certain members of each family showing through alongside the bitterness between others. The exact cause of that bitterness, centered on a long-ago business deal between the two families' fathers, is a combination of mystery and misinformation to the main character, Doug (Joaquim Phoenix). The resolution of that mystery plays out alongside Doug's changing relationship with the Abbotts' youngest daughter, Pamela (Liv Tyler) throughout the film, thus preventing the forbidden-love motif from becoming overbearing.
But the movie does remain a love story at heart, and Phoenix and Tyler are remarkably well-suited to the task. (They apparently were a real-life item for some time after filming - and the sincerity shows.) Complicating the picture are Doug's bitter, jealous elder brother Jaycee (Billy Crudup), who sows discord among both families throughout the film; Pamela's troubled relationship with her sisters and parents; and the hazards of growing up in general. In keeping with the avoidance of stereotypes and cliches, character development is strong almost across the board. The Holts' relative poverty is neither romanticized nor used exploitatively; and if the Abbotts prove that money can't buy happiness, neither are they made out to be shallow or heartless.
The 1950s setting is painstakingly executed as well, featuring a Smithsonian-worthy collection of period appliances, furniture and other everyday items (not to mention an authentic Greyhound bus). The lack of any racial diversity or an overtly political message about that era's injustices might be of some concern to the sensitivities of the politically correct, but the film does in fact address some such concerns (particuarlry the oppression of women) in a subtle but effective fashion.
For my money, this is perhaps the most underrated movie of the 1990s. Buy it while it's available!
A rare love story with plot twists by .. David A. Bede (Singapore)
Based on a rather depressing short story, this is the only movie which I can honestly say is better than the book. It still surprises me that the critics weren't more impressed with it than they were.
Although Inventing the Abbotts is centered on two well-treaded themes - love across a class divide and bad blood between families - it takes enough of a new approach to avoid cliches. For one thing, the animosity between the rich Abbotts and the working-class Holts is selective, with varying degrees of friendship and respect between certain members of each family showing through alongside the bitterness between others. The exact cause of that bitterness, centered on a long-ago business deal between the two families' fathers, is a combination of mystery and misinformation to the main character, Doug (Joaquim Phoenix). The resolution of that mystery plays out alongside Doug's changing relationship with the Abbotts' youngest daughter, Pamela (Liv Tyler) throughout the film, thus preventing the forbidden-love motif from becoming overbearing.
But the movie does remain a love story at heart, and Phoenix and Tyler are remarkably well-suited to the task. (They apparently were a real-life item for some time after filming - and the sincerity shows.) Complicating the picture are Doug's bitter, jealous elder brother Jaycee (Billy Crudup), who sows discord among both families throughout the film; Pamela's troubled relationship with her sisters and parents; and the hazards of growing up in general. In keeping with the avoidance of stereotypes and cliches, character development is strong almost across the board. The Holts' relative poverty is neither romanticized nor used exploitatively; and if the Abbotts prove that money can't buy happiness, neither are they made out to be shallow or heartless.
The 1950s setting is painstakingly executed as well, featuring a Smithsonian-worthy collection of period appliances, furniture and other everyday items (not to mention an authentic Greyhound bus). The lack of any racial diversity or an overtly political message about that era's injustices might be of some concern to the sensitivities of the politically correct, but the film does in fact address some such concerns (particuarlry the oppression of women) in a subtle but effective fashion.
For my money, this is perhaps the most underrated movie of the 1990s. Buy it while it's available!
Thematically Brilliant by .. Sarah Olivia (United States)
I admit, I haven't watched this movie recently (say, within the last 5 years), but it really struck a chord with me. This movie explores the theme of projection, i.e., seeing people as it is convenient to see them or as you want to see them, which may have very little to do with what they are really like.
John inculcates his runaway obsession about the Abbotts to his younger brother, Doug. Doug learns later to sift through John's inventive narrative and arrive at his own conclusions.
I read another review that praised this film as a "showcase for young talent." In my book, that comment seems very close to the mark. Liv Tyler and Joaquin Phoenix brilliantly portray the "class-crossed" lovers.
A Small Film With Big Performances by .. (Coral Gables, FL United States)
Inventing the Abbots is a slice of life film. The story is slow moving but good with a nostalgic feel that fits the narrating character. It's about two sets of brothers and sisters coming of age in a small town during the 1950's. It's also a story of the mysteries of love, attraction, and family. The acting is superb all around, but especially Joaquin Pheonix's performance. There are very few actors that can bring a character to life with such realism and Joaquin has a lot of great moments in this film.